Dylan Neuwirth transforms the entire museum into an enormous metaphor for the cycle of life through five exhibitions composed of neon, video, performance art, digital art, and sculpture. Two parts of this multi-faceted takeover are installed outside, on the building's exterior and on the balcony, while two more are found within the museum. The last piece in the entire installation is an online flash gallery entitled New Folklore. Elaborating on the theme of post-humanish, Neuwirth reflects upon "alienation, subconscious violence, [...] systemic addiction," and the search for freedom and control.